1fa9f.space

Guillaume Bresson
“Sans Titre”
🚋🤸⚠

Aug. 29 -
Nov. 26 2026

104 rue Paradis, 13006 Marseille
24/7

fr
en

1fa9f.space is an exhibition window 🪟👀 located at 104 rue Paradis in Marseille ☀. A non-profit space that showcases the work of both emerging and established artists 👫👬 on the local and 🌍 international scene. 1fa9f is a platform for the diffusion of contemporary art.

  • Founded in 2024 by Victoire Coyon, Adrien Menard and their friends, 👫👫 this project is distinguished by its form: a shallow vitrine 🪟(143×78×19 cm) on-view to passersby come day or night 🚗👬🐈.

  • The window takes its name from the unicode (U+) value of the character (Window): 🪟 in emoji language: 1fa9f.

  • Departing from the traditional format of commercial galleries, 1fa9f.space's exhibition program resembles that of a kunsthalle 🏛, with longer presentation timelines (trimonthly) allowing visitors to engage with the works and show programming for the duration of a season 🌥.

  • The curatorial approach focuses on practices of research and experimentation 🌀 that question our habits, behaviors and contexts: whether material or immaterial. 1fa9f attempts to convey the realities in which we live today.

Exposition en cours

Aug. 29 - Nov. 26 2026
Guillaume Bresson
“Sans Titre”
🚋🤸⚠

1fa9f continues its program with Guillaume Bresson. Sans Titre, where bodies, architecture, and constraints shape movement.

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Contact

104 rue Paradis, 13006 Marseille✉️contact@1fa9f.space🌀Instagram

Crédits

Art direction & Design by edition.studio 👫


Coding by 👽 Julien Privat

Vitrine 🏗 by Lionel Dalmazzini

Projet supported by Focus Focus

Aug. 29 - Nov. 26 2026
Guillaume Bresson
“Sans Titre”
🚋🤸⚠

Guillaume Bresson’s work explores the relationship between the body, space, and constraint. In Sans Titre, he depicts the dancers of Showtime, who turn New York subway cars into spaces for performance. Moving between hip-hop and pole dance, their movements are shaped by the architecture of the subway, the poles they hang from, the passengers they navigate around, and the illegal nature of their practice.

In Sans Titre, the confined space of the subway car becomes a constraint that shapes both the dancers’ movements and the construction of the image. Guillaume composes the scene from multiple points of view, echoing the choreographies of Showtime, where architecture, passengers, and the rules of the subway determine how the body can move. The subway car becomes a space where constraint produces form, and where the body must constantly negotiate with its surroundings.

On the occasion of the opening, and as part of Art-o-rama, this reflection extends into public space through a performance by Oráma Atelier, directed by Myrto Georgiadi. Presented in front of the gallery window, among passersby and visitors, the performance turns the sidewalk into a stage in its own right, placing the body in relation to the physical and social constraints of its surroundings.