1fa9f.space

Charles Thiefaine
“Aft”
⛵ ✊

September 4 -
November 20, 2025

104 rue Paradis, 13006 Marseille
24/7

fr
en

1fa9f.space is an exhibition window 🪟👀 located at 104 rue Paradis in Marseille ☀. A non-profit space that showcases the work of both emerging and established artists 👫👬 on the local and 🌍 international scene. 1fa9f is a platform for the diffusion of contemporary art.

  • Founded in 2024 by Victoire Coyon, Adrien Menard and their friends, 👫👫 this project is distinguished by its form: a shallow vitrine 🪟(143×78×19 cm) on-view to passersby come day or night 🚗👬🐈.

  • The window takes its name from the unicode (U+) value of the character (Window): 🪟 in emoji language: 1fa9f.

  • Departing from the traditional format of commercial galleries, 1fa9f.space's exhibition program resembles that of a kunsthalle 🏛, with longer presentation timelines (trimonthly) allowing visitors to engage with the works and show programming for the duration of a season 🌥.

  • The curatorial approach focuses on practices of research and experimentation 🌀 that question our habits, behaviors and contexts: whether material or immaterial. 1fa9f attempts to convey the realities in which we live today.

Exposition en cours

Sept. 4th - Nov. 20th, 2025
Charles Thiefaine
“Aft”⛵ ✊

1fa9f continues its exhibition program with photographer Charles Thiefaine. With Aft, he presents a series shot aboard the Ocean Viking with SOS Méditerranée, capturing intimate and fragile moments within a space of refuge and waiting at sea.

Voir +

Archives

Contact

104 rue Paradis, 13006 Marseille✉️contact@1fa9f.space🌀Instagram

Crédits

Art direction & Design by edition.studio 👫


Coding by 👽 Julien Privat

Vitrine 🏗 by Lionel Dalmazzini

Projet supported by Focus Focus

November 14th, 2024 -
February 15th, 2025
Louise Belin
“Burn-in” 🔍🖼

Louise Belin explores the “ruins of the virtual” - tired digital images that survive as fragments of collective memory. By painting them, she restores their attention and fragility, creating an atlas of forgotten images, where these relics are reborn in a new, fixed and permanent form.

For "Burn-in", Louise Belin creates one painting per month of exhibition, capturing the subtle changes of a single surveillance camera shot, underlining the inactivity and wear of the motif, like a ghostly imprint. By depicting neutral, anonymous scenes stretched over time, she hijacks the idea of action-centric surveillance and defuses the utilitarian function of these images. "Burn-in" explores digital temporality by highlighting the visual exhaustion of a repeated motif, similar to “burn-in”, a malfunction in which a static image ends up permanently imprinted on the screen.