1fa9f.space

Charles Thiefaine
“Aft”
⛵ ✊

September 4 -
November 20, 2025

104 rue Paradis, 13006 Marseille
24/7

fr
en

1fa9f.space is an exhibition window 🪟👀 located at 104 rue Paradis in Marseille ☀. A non-profit space that showcases the work of both emerging and established artists 👫👬 on the local and 🌍 international scene. 1fa9f is a platform for the diffusion of contemporary art.

  • Founded in 2024 by Victoire Coyon, Adrien Menard and their friends, 👫👫 this project is distinguished by its form: a shallow vitrine 🪟(143×78×19 cm) on-view to passersby come day or night 🚗👬🐈.

  • The window takes its name from the unicode (U+) value of the character (Window): 🪟 in emoji language: 1fa9f.

  • Departing from the traditional format of commercial galleries, 1fa9f.space's exhibition program resembles that of a kunsthalle 🏛, with longer presentation timelines (trimonthly) allowing visitors to engage with the works and show programming for the duration of a season 🌥.

  • The curatorial approach focuses on practices of research and experimentation 🌀 that question our habits, behaviors and contexts: whether material or immaterial. 1fa9f attempts to convey the realities in which we live today.

Exposition en cours

Sept. 4th - Nov. 20th, 2025
Charles Thiefaine
“Aft”⛵ ✊

1fa9f continues its exhibition program with photographer Charles Thiefaine. With Aft, he presents a series shot aboard the Ocean Viking with SOS Méditerranée, capturing intimate and fragile moments within a space of refuge and waiting at sea.

Voir +

Archives

Contact

104 rue Paradis, 13006 Marseille✉️contact@1fa9f.space🌀Instagram

Crédits

Art direction & Design by edition.studio 👫


Coding by 👽 Julien Privat

Vitrine 🏗 by Lionel Dalmazzini

Projet supported by Focus Focus

February 20th - May 17th, 2025
Marcos Uriondo
“En Buée” 🌬🌀

Through humor and subtlety, Marcos subverts the ordinary, revealing the impermanence of things and engaging the viewer in a dialogue between reality and illusion. He raises questions about the world around us, transforming the ordinary into an exploration of everyday reality.

Revisiting a simple, playful gesture infused with childhood memories, Marcos traces fleeting images onto a misted window with his finger. In “En Buée”, he redraws grid motifs taken from urban spaces around the Mediterranean. Playing with temperature contrasts, he freezes his architectural details at constant intervals, only to let them disappear and begin again.

Marcos explores paradoxes between fragility and permanence, the tangible and the immaterial. His grid patterns vanish as quickly as they appear. These ephemeral compositions invite the viewer to question the boundary between inside and outside, the tension that exists between these two spaces. “En Buée” highlights the precarious existence of the imaginary grids that define our contemporary spaces.