1fa9f.space

Thomas
P. Grogan

⏰🌞

Feb. 26 – May 22, 2026

104 rue Paradis, 13006 Marseille
24/7

fr
en

1fa9f.space is an exhibition window 🪟👀 located at 104 rue Paradis in Marseille ☀. A non-profit space that showcases the work of both emerging and established artists 👫👬 on the local and 🌍 international scene. 1fa9f is a platform for the diffusion of contemporary art.

  • Founded in 2024 by Victoire Coyon, Adrien Menard and their friends, 👫👫 this project is distinguished by its form: a shallow vitrine 🪟(143×78×19 cm) on-view to passersby come day or night 🚗👬🐈.

  • The window takes its name from the unicode (U+) value of the character (Window): 🪟 in emoji language: 1fa9f.

  • Departing from the traditional format of commercial galleries, 1fa9f.space's exhibition program resembles that of a kunsthalle 🏛, with longer presentation timelines (trimonthly) allowing visitors to engage with the works and show programming for the duration of a season 🌥.

  • The curatorial approach focuses on practices of research and experimentation 🌀 that question our habits, behaviors and contexts: whether material or immaterial. 1fa9f attempts to convey the realities in which we live today.

Exposition en cours

February 26th - May 22nd 2026
Thomas P. Grogan
“I speak the bright hours, I'm silent about the cloudy ones” ⏰🌞

1fa9f continues its program with Thomas Pellerey Grogan, who turns the window into a light-measuring instrument. Moving between direct sunlight and artificial UV, the installation breathes through daylight and darker hours, causing the color of the piece to shift over time.

Voir +

Archives

Contact

104 rue Paradis, 13006 Marseille✉️contact@1fa9f.space🌀Instagram

Crédits

Art direction & Design by edition.studio 👫


Coding by 👽 Julien Privat

Vitrine 🏗 by Lionel Dalmazzini

Projet supported by Focus Focus

November 27 - February 19, 2026
Clara Roumégoux
“Tomorrow Never Knows” ♠️♥️♦️♣️

Clara Roumégoux explores the relationship between production and productivity, as well as the subtle pressure they exert on our lives. Her work questions a growing sense of anomie, and her practice blurs the boundaries between domesticity and industry, between care and efficiency.

With "Tomorrow Never Knows", these tensions extend into the urban space and the storefront as an exhibition site, a transitory space of desire and projection. There, Clara examines constant change, individualism, and the commodification of “care.” It is through this lens that “Change” finds its meaning, between economic injunction and the promise of personal transformation.

The double meaning of the word currency in English, and mutation in French, resonates with the commercialization of self-development. The paper support, fragile and sensitive, and the lightbox, a tool for disseminating signs, make tomorrow never knows a luminous yet vulnerable object: a metaphor for our desires for transformation, caught within both market circuits and intimate ones.